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MUADAILY is an online magazine covering new developments in design, technology, lifestyle, architecture, and culture.

Stories from this day

Patterned cloth and threads in several colours prepared for a collaborative sashiko jacket project.

Sashiko: the people behind each stitch

Atsushi Futatsuya shares sashiko through the people and culture behind the patterns. We look at the rhythm of stitching and the process of making together.

Oslo Opera House in winter, showing its low sloping roof and glass façade.

A walk across the roof of Oslo Opera House

The sloping roof of Oslo Opera House is somewhere people can walk. Snøhetta’s design makes a route through the city part of a performance venue.

A brown Perfect Pencil Magnum and its detached metal cap resting on a sketch.

A pencil cap that becomes a sharpener and extender

The Perfect Pencil’s protective cap contains a sharpener and doubles as an extender while writing. Its small parts bring writing, sharpening and erasing together.

A visitor touching The Pen to an exhibit label at Cooper Hewitt in 2015 to save information.

The museum pen that let visitors save objects to revisit

Cooper Hewitt used The Pen from 2015 to 2020 to let visitors collect exhibit information. We revisit a tool that carried an exhibition beyond the museum visit.

The Hive’s metal lattice viewed from inside, with sky visible through the centre.

The Hive turns activity in a beehive into light and sound

At London’s Kew Gardens, The Hive responds to vibrations detected in a real beehive, bringing the activity of a bee colony into a space people can enter.

A silver octagonal Bialetti Moka Express with a black handle.

How the octagonal Moka Express makes coffee

The Moka Express combines a lower water chamber, a coffee basket and an upper collector. We look at the flow of water and the daily routine behind a design dating to 1933.

Orange- and black-handled scissors beside a record of the colour selection.

How Fiskars scissors came to have orange handles

Orange was not the original plan for Fiskars’ 1967 scissors. A choice made while producing prototypes became the colour of a familiar tool.

Fingers shaping red Sugru adhesive in an instructional photograph.

Sugru: adhesive you can shape by hand

Sugru is moulded by hand before it cures into silicone rubber. Beyond bonding a gap, it lets people add a small shape a familiar object needs.

Editor's picks

Stories worth a look

Latest stories

Historical photograph of a girl carrying her father’s plain lunch pail, for comparison with character lunchboxes
Lifestyle2026-11-11

When a TV cowboy appeared on a lunchbox

A TV cowboy appeared on the 1950 Hopalong Cassidy lunchbox. A favourite character became another reason to choose the container that carried lunch.

Design

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Detail of PigeonBot’s wing with real feathers

A flying robot with 40 pigeon feathers

PigeonBot folds feathered wings through wrist- and finger-like movements. It studies wing shape and control rather than flapping propulsion.

MOXIE being installed in the rover on Earth

122 grams of oxygen made on Mars

MOXIE made 122 grams of oxygen from Martian carbon dioxide, testing a process relevant to both breathing and a return rocket.

Lifestyle

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Historical photograph of a girl carrying her father’s plain lunch pail, for comparison with character lunchboxes

When a TV cowboy appeared on a lunchbox

A TV cowboy appeared on the 1950 Hopalong Cassidy lunchbox. A favourite character became another reason to choose the container that carried lunch.

Architecture

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Culture

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Features

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Torn-paper and ink illustration of ABBA’s four members onstage beneath a gold ABBA logo.

For some, ABBA; for others, Mamma Mia!

From “Waterloo” and “The Winner Takes It All” to a mother and daughter singing in Mamma Mia!: nearly forty years passed before ABBA made a new album, while their songs kept finding other voices and stages.

A collage inspired by Terry Kath playing guitar, alongside trumpet, trombone, and saxophone players.

Chicago: the seven musicians behind the ballads

From “Get Away,” which follows “Hard to Say I’m Sorry,” we explore Chicago through eight songs: Terry Kath’s guitar, Peter Cetera’s ballads, and the band’s contrasting voices.

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